Hatching
Twitter by Nick Bilton is a curious and perhaps necessary
book. In his introduction, Bilton
reminds us that “history is the certainty produced at the point where the
imperfections of memory meet the inadequacies of documentation.” Although Twitter the company didn’t let Bilton
in the door, he conducted sixty-five hours of interviews with current and
former board members, the four Twitter founders, and many more, on and off the
record. The author found, as do most
historians, that people remember past events differently. Bilton does his best to triangulate various
events, using social media in the process to even out discrepancies. The tweets, videos, and photos shared over a
decade substantiated the basic narrative.
I am writing this the day after the Academy Awards,
during which host Ellen DeGeneres took out her Samsung Galaxy Note 3—a
sponsor-- for a “selfie” with a group of celebrities. Her post has been retweeted about three
million times, almost bringing Twitter to its knees and wiping our President
Obama’s election retweet record. All in
all, this was another night at the office. Ms. Ellen used her Galaxy on a number of
occasions to tweet photos of other celebrities. Media folks call sponsored advertising that
seems intrinsic to an event or brand, native advertising, as if it’s been there
all along in plain sight. Who can
imagine the Academy Awards without Twitter?
Hatching
Twitter offers abundant evidence that this solipsistic
Oscar celebration was by no means inevitable. I am not simply referring to the fits and
starts associated with a startup, the lack of capital, or even the internal
spats, Silicon Valley style, that inevitably bubbles up in that basement
apartment or adjacent garage. The drama
that engulfed the four Twitter founders, Evan Williams, Jack Dorsey, Biz Stone
and Noah Glass, was marked by intrigue, revenge, betrayal, and mendacity. Jack Dorsey could play a mean Iago in
Shakespeare’s Othello. Other playwrights can accommodate the rest.
Just how does one organize a book about a bunch of
really smart, childish adults who write code and act spoiled? Bilton’s answer to my hypothetical appears to
be in his choice of a dramatic structure for his book, starting with the ouster
of Evan in a board coup on October 4, 2010, led by Jack Dorsey. In a way, this is a smart choice because we
already know, more or less, how the story ends. The intrigue is presumably in the early
chapters where the restless psyches of the founders are fully on display. That said, there is still something surreal
about this book, as we are taken inside the heads and psychologies of the major
players, as we would expect in a novel. In
a way, this approach is in keeping with the main narrative. There is something surreal and improbably
about the launching of Twitter. One can
never know too much.
The seeds for Twitter were appropriately sown in or
near San Francisco on the heels of the dot com collapse. Evan Williams launched Blogger, push-button
publishing for the people, which he sold to Google in 2003, for millions. At this time, Noah Glass, who was working
with Evan on an audio extension of the Blogger, turned Audblog into a separate
startup. Evan would launch Odeo, a
pod-casting startup with decent financial backing. By 2005, the four founders were all involved
in Odeo and the squabbling had already begun, especially between Ev and
Noah.
Who invented Twitter is a discussion worthy of a
book such as Hatching Twitter. Twitter, like success, seems to have many
fathers. By Bilton’s account, Jack and
Noah, though not in parallel, souring on the prospects for Odeo, began thinking
about other business. Jack has apparently
been thinking about a “status update” since 2000 when he used a blogging
service called LiveJournal. On a
primitive level, the status update was in the air. According to Bilton, Noah took the concept to
another level: “This status thing could help connect people to those who
weren’t there. It wasn’t just sharing
what kind of music you were listening to or where you were at the moment; it
was about connecting people and making them feel less lonely.”
Ev raised the prospect of Odeo becoming a messaging
platform. Biz Stone, who came from
Google, had been obsessed with the idea of a “Phone-ternet” for particular
communities. The status-thing was
getting everyone’s attention. Names like
Smssy, Friendstalker, Twitch, Twit, Twitchy were banded around until Noah
stumbled across the word to describe the light chirping sound made by certain
birds. Twitter was it. The rough, self-conscious tweets began. The internecine struggles would soon follow,
with Ev forcing Noah out over management issues.
Existential questions about Twitter remained. What exactly was this business? Jack saw it as a place to say: “What am I
doing?” Ev saw Twitter as a
mini-blogging product. The 2007 San
Francisco earthquake brought some clarity to this question. By this time, 15,000 tweets had been sent, all
about status. Sharing the quake on
Twitter suggested the platform would also be about a status larger than the
individual self. That conversation would
continue. While Twitter debated the
matter, the outside world used the service in all sorts of adventurous ways,
including for hard news, celebrity chatter, fake personas, politics, police
scanners and so on. Twitter would become
whatever we say it is.
By the time Yahoo knocked on Twitter’s door the
service had almost 250,000 active users. The joke around the Twitter offices is that
the company should take no less than $100 million. Yahoo offered $12 million, since Twitter was
simply a messaging service. And Yahoo
could replicate that. That’s the oldest
negotiating trick in the book. Twitter
would seek venture funding.
Twitter suffered the growing pains many startups
endure: lack of strategic direction and focus, tension among management, burn
rates, technical issues (servers crashing) and liquidity. This time, the axe fell on Jack, who at the
time was trying to make a separate peace with Facebook’s Mark Zuckerberg. That didn’t work out nor did Zuckerberg’s
attempt to buy Twitter. The Facebook CEO
would have a long memory.
Nick Bolton devotes considerable space to the psychological
pain suffered by the founders who were fired or demoted. He seems to give disproportionate attention to
Noah and Jack in a manner I thought bordered on bathos. I’m not sure I wanted to go so deep into their
loneliness, whether it was well-reported or not. Most of the individuals who were displaced
were financially well-off. My heart
doesn’t beat any faster learning that in the early days Biz Stone and his wife
had to raid their piggy bank, or how Noah and wife have a baby, or about Ev’s
rumination or parenting, or Jack dressing and sounding like Steve Jobs.
The founders launched a very successful company and
were as ruthless, venial, cutthroat, confused and savage, as many who have come
before them. It’s always about the
money, the power and bragging rights. A
ten-page coda at the end of a very enjoyable book seems an unnecessary and
pious redemption.
The trouble with writing a book about a startup,
especially a remarkable one like Twitter, is that the book is inevitably going
to be all prologue. Success can cancel
out even the most delicious narrative.
Just ask Jack Dorsey.